The Wildlife Issue

Volume 13 Issue 7, March 2014

Back in June 2013, we published the Exploration Issue.

This was the first time I had led the production-based aspect of what makes Blueprint the nifty and peculiar gem that it is. Its creation was made possible through technical and moral support from the Blueprint team, colleagues, and friends. In the morning I brought a veggie platter in case we got hungry and turned up 90s jams to help stir the creative cauldron. Alanis Morissette is unsurprisingly just enough angst.

We began something really cool that day. I didn’t know that I would love the collaborative process or the incomparable feeling of not only contributing to arts on campus, but creating a space where voices are heard or strengthened and even connected. I’ve learned that many people create for the sake of creating, for an audience, for themselves, or in response to something they feel needs to change. What links these different motives is an inquisitively sensitive disposition to the world. Writing or drawing may not be your thing, but I think art-making is still happening somewhere else, in qualitative science, social programming, libraries, in that photo album of your parents’ wedding. Who is to say what constitutes creativity? I am convinced that creators are among us everyday, creating in ways we may not know about, ways unmapped, having little to do with the rules we feel pressed to conform to.

Where does this month’s theme of Wildlife come into play? Well, spring is right around the corner, isn’t it? Finally things are beginning to bloom and take shape, returning greens and yellows to our deprived land. What grows has always interested me, so it felt like the best idea was to close my time with Blueprint on a future-building note. In addition to the friends I’ve made, I’m left with inspiration.

What you’ll find in the coming pages is very much alive.

Fiorella Morzi